Brian Ross' brain cramp
His mention of the 'tea party' in reporting about the Colorado massacre is an instance of liberal journalists' reflex to prove their suspicions of right-wing plots.

Reuters

Colorado shooting suspect James Eagan Holmes sits with public defender Tamara Brady during his first court appearance in Aurora, Colo., July 23, 2012. Holmes, the man accused of shooting dead 12 people in a Colorado movie theater during the midnight screening of the new Batman movie early Friday, made his first appearance in court on Monday, sitting silently in a red jailhouse jumpsuit and with his hair dyed bright red.

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  • Brian Ross blew it when he suggested that the Aurora shooting suspect might be connected with the Tea Party @JonahNRO

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  • Tea Party members have every right to be angry, they’ve been cast as dangerous, racist, fascistic and murderous. @JonahNRO

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  • We can only guess at Brian Ross’ motive for his mistake. @JonahNRO

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If ABC News does fire Brian Ross, he could always find a job working for Aaron Sorkin.

Ross, a veteran investigative reporter for ABC News, blew it Friday morning when he suggested that the Aurora, Colo., shooting suspect, Jim Holmes, might be connected with the "tea party."

"There is a Jim Holmes of Aurora, Colorado, page on the Colorado tea party site as well. Talking about him joining the tea party last year. Now, we don't know if this the same Jim Holmes," Ross ominously informed "Good Morning America" host George Stephanopoulos, who thought the news "might be significant."

Or it might not.

Actually, it definitely isn't significant. The fifty-something tea party Holmes, we soon learned, wasn't the same guy as the twenty-something mass-slaying suspect.

Brent Bozell of the conservative watchdog outfit the Media Research Center calls Ross' statement a "brazen attempt to smear the tea party."

And other conservatives, particularly tea party members, have every right to be angry. The list of calumnies and distortions about them is too lengthy to recount here. They've been cast as dangerous, racist, fascistic and murderous.

The most famous example is the seemingly instantaneous effort — ginned up by partisans but given ample credence by the mainstream media — to turn Jared Lee Loughner, the suspect in the 2011 Tucson shootings that killed six people and wounded former Rep. Gabrielle Giffords, into a right-wing golem conjured by Fox News, Sarah Palin and the tea parties.

That said, I still don't think Bozell & Co. are quite right when they see Ross' "reporting" as deliberate. For that, Ross would have needed to know what he was saying was untrue. I have to believe Ross didn't want to get the story wrong.

It would be nice to know if Ross checked to see if there were any Jim Holmes around Aurora who were connected to the Occupy Wall Street movement or any who were Muslims. Or was the tea party simply the first place he looked? And if so, why?

One possible answer is that even allegedly "objective" journalists follow certain narratives based on their own, unspoken ideological assumptions. When a Muslim shouting "Allahu akbar!" mows down colleagues at Ft. Hood or tries to blow up strangers in Times Square, the reflex is to seek proof that it was an "isolated incident" or a "lone wolf."

But when a white non-Muslim shoots up a political rally or a movie theater, the media reflex is to prove their suspicions of sinister right-wing plots. Going with your gut can be great advice for sleuthing out stories, but awful guidance for reporting them.

Which brings us to Sorkin, the creator of HBO's "The Newsroom,"perhaps the most execrable pop-culture agitprop since Michael Moore's "Fahrenheit9/11." In Sorkin's fantasy show about a news program that breaks with the media herd, smugly liberal reporters almost always have the right instincts.

Sorkin accomplishes this in part by giving himself the benefit of hindsight, by setting "Newsroom" in 2010. Hence, when the Times Square bomber is apprehended, the news team congratulates itself by choosing to do the "boring version of the story" in which the "system worked" and the terrorist "acted alone" — something they couldn't possibly have known yet.

Meanwhile, the real story for Sorkin's fantasy journalists is exposing the pernicious threat of the tea parties (and their James Bond-villain backers, the Koch brothers) as they peacefully unseat incumbent Republicans in primaries. Holding the actual government accountable isn't a big priority for Sorkin's Fifth Estate because, after all, the system works when liberals run it. The job of the media is to keep a weather eye on the existential threat from the American right.

That's a great way to do journalism when you're playing make-believe and cherry-picking 2-year-old facts to suit your ideological agenda. It's quite another thing when you're a real reporter working in real time. Ross learned that lesson the hard way in what amounted to an audition for "The Newsroom." We can only guess at Ross' motive for his mistake, but if the media followed Sorkin's advice, we can be sure we'd see a lot more like it.

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    A bestselling author and columnist, Jonah Goldberg's nationally syndicated column appears regularly in scores of newspapers across the United States. He is also a columnist for the Los Angeles Times, a member of the board of contributors to USA Today, a contributor to Fox News, a contributing editor to National Review, and the founding editor of National Review Online. He was named by the Atlantic magazine as one of the top 50 political commentators in America. In 2011 he was named the Robert J. Novak Journalist of the Year at the Conservative Political Action Conference (CPAC). He has written on politics, media, and culture for a wide variety of publications and has appeared on numerous television and radio programs. Prior to joining National Review, he was a founding producer for Think Tank with Ben Wattenberg on PBS and wrote and produced several other PBS documentaries. He is the recipient of the prestigious Lowell Thomas Award. He is the author of two New York Times bestsellers, The Tyranny of Clichés (Sentinel HC, 2012) and Liberal Fascism (Doubleday, 2008).  At AEI, Mr. Goldberg writes about political and cultural issues for American.com and the Enterprise Blog.

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